Album Update: What Really Matters?

[Photo taken by Katherine Palms, Plymouth Coffee Bean, Plymouth, MI, 2019]

In August 2024 I began recording on my first album project, Songs for the Way Home, with a lot of generous help from my friends and family. I selected a small solar-powered, woman-owned studio in a rural area in my current home state of Vermont and plowed through a full day of intensive recording, feeling pleased with how it went.

This past fall when I received my tracks—slightly edited and mixed—I realized I did not like the isolated sound produced by recording in a studio. I was used to the noises of birds singing along, a truck going by, or people singing along.

Over the course of months, through a gradual process, I decided to use tracks I have already created over the years: These, compared to the death-still simplicity of my studio recordings, seemed full of love and intimacy, messy and with a yearning to share. I made them for you.

So, after all, I am in the process of creating my “archival version”— 12 life-filled recordings, recorded over five years, of a solid range of some of my songs. I’m working on figuring out the best engineer to work with to do the rest of the process: to add some layers, make adjustments, mix, and master to make them more pleasing. Then CD pressing and music distribution.

THANK YOU! Because of many people’s generous support, I have funds available for these steps.

Songs for the Way Home will be an album of love and joy, with an emphasis on community. To give an answer to the question that is the title of this blog post, that is what matters.

C

First Album—Songs for the Way Home

On August 26, 2024, I began the recording of my first studio album project. I’m beyond excited. I need your help to fully birth this creative project. Please click to donate here, and read more about the project below.

The Spirit of the Project: This album is light and soft. I want to share it with the world to remind us that there is another form of power. Yes, there is a power that crushes, but there is also a power that lifts.

More About the Album: The album is a personal and civic journey, nine songs written over five years. The recording style is “live recording.”

The Studio & Engineer: Pepperbox Studio in Lincoln, Vermont, owned and engineered by Kristina Stykos. This studio is solar-powered, woman-owned, and community-focused. To hear samples of her recordings’ sound, visit here.

What Is Needed: I’m seeking to raise $2K to complete production of this album (including editing, mixing, mastering, and pressing). You can donate by visiting my GoFundMe or by mailing a check written out to Claire Bates to P.O. Box 232, Randolph, VT 05060.

What You’ll Receive: You’ll know that this album exists because of you. If you donate $10 or more, I will send you an album in your preferred form (CD or album download) once this project is completed. (I can also do that in multiples!) If you give $100 or more, I want to put your name (or your dedication to someone else’s name) in the liner notes, and you’ll earn my endless thanks, which you might already have.

Feel free to drop me a line (clairebatesmusic@gmail.com) as this project unfolds!

A Time for Celebration – An Update on the Soap for Hope Project

Dear friends,

As the pandemic exposes the world’s inequalities for what they are, I’m here to report about people that are working together for change.

Starting in April 2020, I partnered with two organizations to help supply coronavirus-related protection and training to refugees in Kiryandongo Urban Refugee Settlement in Uganda. The organizations are Dream Production, an organization led by refugee youth in Uganda, and Friends of the Third World, a well-rooted nonprofit in Fort Wayne, Indiana. Thank you so much to my generous friends, colleagues, and musical supporters. We raised $2000 as of early this past fall. (We met our Phase I goal.)

Dream Production, headed by refugee youth, delivered on its aims, including:

  • Delivering supplies & training. They procured and delivered kits containing sanitizers, soaps, masks, and pairs of gloves to 100 especially high-risk refugee elders, along with COVID-related psychosocial support benefiting 400 elders, COVID-related sanitation training indirectly benefiting 250 children living in these elders’ households, and mental health referrals benefiting 946 refugee elders.
  • Demonstrating intergenerational care. The project was led by younger refugee people taking care of older refugee people at high risk – wonderful love.
  • Strengthening aid networks. Dream Production typically uses arts to strengthen young refugee leadership toward development goals. In this project, its young refugee leaders have networked extensively (with the Ugandan Office of the Prime Minister, Danish Refugee Council, United Nations High Commissioner for Refugees, Whitaker Peace and Development Initiative, and Water Mission), developing connections they can use to collaborate in the future.
  • Including psychosocial support and arts-based education. Dream Production recognized that for extremely vulnerable people who struggle to access to hygiene supplies and experience limited freedom of movement and overall safety, hearing about the pandemic can damage mental health. Their programming included group psychosocial support and connection to mental health therapy support.

Dream Production documented their work and received this feedback: Those who received supplies and care expressed concern for those who have not. Phase 1 provided supplies for 100 of 1406 refugees identified as highly vulnerable in Kiryandongo Camp. We launch Phase 2 in Spring 2021, to bring coronavirus-related hygiene materials, support, and training to more high-risk refugees in Kiryandongo. YOU CAN DONATE TO PHASE 2 HERE! You can also write about the project (clairebatesmusic@gmail.com or givenwilson662@gmail.com).

Peace and care,

Claire

Soap for Hope youth refugee leaders collaborated, built partnerships, and prepared to deliver resources, training, and support.

Youth delivered soap, sanitizer, and reusable masks and gloves to especially vulnerable elderly refugees.

COVID hygiene training, psychosocial support, and psychosocial referrals were provided using youth talents in music and arts.

Soap for Hope connects the creativity and organizational drive of refugee youth with the generosity of caring people worldwide to save the lives of vulnerable refugee elders.

Please donate here to Phase 2 to help bring supplies to the remaining 1306 households in Kiryandongo Refugee Settlement identified as especially vulnerable to COVID-19!

Woody Guthrie

I was grateful to Woody for keeping me company when I was ill a couple months ago. (I wasn’t hallucinating; I was reading his book.) There were so many great quotes! Here’s a sample:

Woody on writing songs for a time: “If you think of something new to say, if a cyclone comes, or a flood wrecks the country, or a bus load of school children freeze to death along the road, if a big ship goes down, and an airplane falls in your neighborhood, an outlaw shoots it out with the deputies, or the working people go out to win a war, yes, you’ll find a train load of things you can set down and make up a song about. You’ll hear people singing your words around over the country, and you’ll sing their songs everywhere you travel or everywhere you live; and these are the only kind of songs my head or my memory or my guitar has got any room for.”

Woody on performance style: [while watching young performers play songs to enliven a camp full of homeless people, where he and they also lived] “It was so clear and honest sounding, no Hollywood put-on, no fake wiggling. It was better to me than the loud squalling and bawling you’ve got to do to make yourself heard in the old mobbed saloons. And, instead of getting you all riled up mentally, morally, and sexually—no, it done something a lot better, something that’s harder to do, something that you need ten times more. It cleared your head up, that’s what it done, caused you to fall back and let your draggy bones rest and your muscles go limber like a cat’s.”

Spiritual life & worldly justice: “All of this talking about what’s up in the sky, or down in hell, for that matter, isn’t half as important as what’s right here, right now, right in front of your eyes. Things are tough. Folks broke. Kids hungry. Sick. Everything. And people has just got to have more faith in one another, believe in each other. There’s a spirit of some kind we’ve all got. That’s got to draw us all together.”

Standing up to injustice: [a white hobo explains to Woody how he stood up to another white hobo against racism] ” ‘Ain’t nothing tough about me, sort of—but I don’t make a practice of bein’ afraid of you nor anybody else.’ He settled his self a little more solid on his feet.”

On racism: [Woody & another white hobo’s discussion.] ” ‘Skin trouble. That’s a dam good name for it.’ I walked along beside him. / ‘Hard to cure after it gets started, too,. I was born and raised in a country that’s got all kinds of diseases, and this skin trouble is the worst one of the lot,’ he told me. . . . ‘I had hell with some of my folks about things like that. But, seems like, little at a time, I’d sort of convince them, you know; lots of folks I never could convince. They’re kinda like the old bellyache fellow, they cause a lot of trouble to a hundred people, and then to a thousand people, all on account of just some silly, crazy notion. Like you can help what color you are. Goddamit all.’ ”

On giving what you’ve got to the world: [a conversation Woody had with his friend. Woody begins] ” ‘Will, you know me. You know dam[sic] good an’ well I’d play fer my beans an’ cornbread, an’ drink branch water, ‘er anything else ta play an’ sing fer folks that likes it, folks that knows it, an’ lives what I’m a singin’ bout. . . . They [power players in the entertainment industry] try ta tell me if I wanta eat an’ stay alive, I gotta sing their dam[sic] old phony junk!’ / ‘You’d just naturally explode up in that high society, wouldn’t you? But, money’s what it takes, Woody.’ / ‘. . . Mebbe I jest ain’t got brains ‘nuf in my head ta see that. But after alla th’ hard luck I had, Will, I seen money come, an’ seen money go, ever since I was jest a kid, an’ I never thought ’bout nuthin’ else, ‘sides jest passin’ out my songs.’ / ‘Takes money, boy. You want to make any kind of a name f’r yourself, well, takes all kinds of money. An’ if you want to donate to poor folks all over th’ country, that takes money.’ / ‘Cain’t I just sorta donate my own self, sort of?’ “

“Soap for Hope” Project

I’m grateful to be working on an international project. Some of you may know my connections to refugee communities in Uganda run back to 2017, when I interned with a refugee-led organization using technology to give people who are refugees avenues to voice their concerns, access information, and learn new skills.

Today I’m back at it, partnering with Uganda-based Dream Production and Fort Wayne, Indiana-based Friends of the Third World (a 501[c][3] organization), to get kits of hygiene supplies relevant to COVID-19 (washable masks, durable gloves, packs of soap, water cans) to Kiryandongo Refugee Settlement, an urban refugee settlement in central Uganda, into the hands of 100 especially vulnerable refugee households. You can read more details of our project below, and/or contribute here.

Thanks to my mom, the artist Katherine Bates, for contributing this artwork

The Story: In ordinary times, Dream Production (led by refugee youth in Kiryandongo) focuses attention on helping refugee youth strengthen their artistic talents (filmmaking, dance, songwriting, poetry, and more) and apply these talents to peacebuilding and development goals.

During COVID-19, this organization’s focus has adapted to meet the times. Given Wilson, our partner with Dream Production, told me that refugee families in his camp were feeling traumatized because of an influx of information about how to protect themselves from COVID-19, but a lack of ability to access hygiene supplies that would help families keep themselves safe and healthy. Through a partnership between Dream Production, Friends of the Third World, and Claire Bates Music, we’re stretching to help secure hygiene supplies for 100 households.

How You Can Help:

  • If you can donate: Please do so at our GoFundMe page. For these basic items, every little bit helps (mask $3, durable gloves $2, pack of soap $5, etc.) toward our goal!
  • If you are an artist, singer, writer, or performer: Do you have a piece of expression about REFUGEES or HOPE or SOAP? Please consider sharing your piece about that topic online and further spreading the word about this project. You can also cover or pass along my song on this topic, point people toward our GoFundMe page, and use the logo on this page. I’d love to hear about it! (You can email me here.)

Thanks so much! Everything helps!

Claire

House Concert Update

I love sharing music through house concerts. Each event is as unique as its attendees, its hosts, and the visions we create together! An especially fun one took place in Fort Wayne, IN, two weeks ago. Families have allowed me to post videos and pictures here. Thank you to Whitney and Jared for being willing to host!

See more photos and videos of this concert . . .

Intentional concerts help strengthen the fabric of community we need, and I’m doing them across the country gradually as I go. Write me to book one. What strengthens community for you these days?

Will Work for Peace: I Interviewed on Nonviolent Communication

Thanks to Elizabeth MacMillan for the photo used for this interview.

Nonviolent Communication (NVC)’s persistence—in trusting people’s desire and creativity in meeting their own human needs and illuminating the potential for compassionate collaboration—roots my musical efforts. This week I was interviewed about NVC on my friend’s Quaker radio station. I welcome you to listen to the episode, comment on it, and share it with others. https://northernspiritradio.org/episode/primer-nonviolent-communication. Also, I’d be happy to help you learn about Nonviolent Communication – please read these details.